This image is decidedly negative. The airbrush is heavily saturated w/ narcotic yellows and reds. A bold, perceived stroke defines the object and separates it from the ambiguous noise in the background. The object is in no way grounded, divorcing it from context or sense of scale. The effect of these elements combined is unsettling, unfamiliar, and ultimately disorienting.
The mode is predominately representational, utilizing photographic imagery, though it is heavily treated with mechanical filters.
The object has a commanding presence over the composition, and no other components are presented, so in that regard, there is little to distract from the read of the object, though the background certainly does demand notice with its coarsely grained and busy texture, compounded by the jarring color scheme.
2 comments:
This image is decidedly negative.
The airbrush is heavily saturated w/ narcotic yellows and reds. A bold, perceived stroke defines the object and separates it from the ambiguous noise in the background. The object is in no way grounded, divorcing it from context or sense of scale. The effect of these elements combined is unsettling, unfamiliar, and ultimately disorienting.
The mode is predominately representational, utilizing photographic imagery, though it is heavily treated with mechanical filters.
The object has a commanding presence over the composition, and no other components are presented, so in that regard, there is little to distract from the read of the object, though the background certainly does demand notice with its coarsely grained and busy texture, compounded by the jarring color scheme.
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